‘Photocopier,’ directed by Wregas Bhanuteja, is a film on Netflix that not only deals with crime and the enigma that surrounds it but also openly engages with the moral level. Sur’s fellowship is revoked after a night of wild drinking, as evidenced by her social media posts. She teams up with her photocopier pal Amin to figure out what happened on the night of the theatre dept’s celebration. Sur not only ruffles a few heads along the road. She also discovers some startling realities about individuals she thought were her buddies.
The film, also known as ‘Penyalin Cahaya,’ is not the most suspenseful thriller ever made. Yet that is precisely what makes it so appealing. Sur’s predicament becomes increasingly apparent as the story unfolds. Is it possible that this achievement was accomplished in part?
Is Photocopier Inspired By A True Story?
‘Photocopier,’ on the other hand, is not based on a factual story. The technology thriller follows the meticulous Sur. Who is forced to relive the events of the night the Mata Hari theatre company celebrated a prize-winning production. She unlocks Pandora’s box on her travels and realizes that not everybody is who they seem to be. Despite the fact that the film is classified as a crime thriller, it also serves as a sort of semi of age tale for the protagonist. Who must go to great lengths to expose the truth and, in the process, lose her purity?
It’s possible that the authors took a domestic issue and told it from the perspective of a university student in order to emphasize societal issues and strike an emotional connection. In actuality, this narrative appears to have been conceived by the director and Henricus Pria. Who has since been dismissed following charges of sexual assault? What we do know is that Bhanuteja and his team spent a year conducting extensive research and even sought out victims of sexual abuse and anti-rape campaigners like Hannah Al Rashid.
Sexual assault, psychological health, spirituality, and companionship are all explored in the narrative. However, it becomes evident that the narrative is not based on a single occurrence. And besides, cases of abuse occur all around the globe, and Indonesia is no exception. According to a 2016 survey, over 90% of rape cases in the country went unregistered due to victimization. Furthermore, according to a 2019 survey, it is the Asia Pacific region’s second most dangerous country for females.
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Even though the narrative is not based on a true crime, it definitely has numerous fragments of real occurrences. That might or might not have been extracted from real occurrences. Another key issue explored in the film is that of family. In a statement, the director discussed how, in everyday life, individuals would strive to protect the perpetrator of a crime similar to Rama’s because of a sense of “belonging” or “family.”
This links along with the reality that few folks, particularly college academics believe Sur’s version of events. Sur’s own dad, who obviously didn’t know the complete tale. Does not trust her and continuously apologizes for his daughter’s conduct. Bhanuteja not only seeks to accurately reflect the difficulties that survivors of sexual assault endure. But he also seeks to teach kids and other public on this subject. As a result, ‘Photocopier’ aims to bring attention to a highly widespread issue in today’s society by encouraging viewers to invest in the protagonist holistically. When the wealthy and powerful commit a crime, obtaining justice is tough.
Suryani’s mother took her aside and told her that she trusted her daughter even though society was against her. She recognized the photos as her daughter’s birthmark and transported her to a secure location where her urine could be examined for drugs to aid in the investigation. Farah sought out Suryani when she was at the hideout, apologizing for not sticking by her. Farah’s photographs were again exploited by Rama, and she was drugged and undressed on the night of another such party. She could hear the cameras clicking and scribbling down her thoughts in a notebook.
The storyline makes you care just as much about Sur’s accusations as it does about Rama’s seeming innocence at first, and it leaves you with a lot to think upon. Despite being a fictional plot, most people will be able to connect to a few or a lot of the movie’s scenes since it makes a point utilizing everyday situations.
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